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Making Rent in Bed-Stuy: A Memoir of Trying to Make It in New York City, by Brandon Harris

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Review

“A melancholic, lyrical new memoir… Harris’s memoir has a pleasing specificity.” (The New Yorker)“Making Rent in Bed-Stuy from Amistad should be required reading for every single young person living in a gentrifying neighborhood.” (Vogue)“A searing debut memoir…With its stinging truths and inventive language, Making Rent in Bed-Stuy stands as a monument to what is lost when New York’s low-rent underdog outer borough becomes just another county of kings.” (New York Times Book Review)“Fascinating… This memoir provides hard-won insights into the divided loyalties of middle-class African-Americans, and a convincing description of a 21st-century New York City where only the rich can thrive.” (Publishers Weekly)“A thought-provoking examination of the millennial black experience in the first decade of the 21st century.” (Kirkus Reviews)“[Harris’s] wide-ranging meditation on race and class, film and literature, black history and crime reportage carves out its own space in American letters.” (Los Angeles Review of Books)“Brandon Harris’s first book is a wide-ranging meditation on race, poverty, bohemia, and film history. It’s the introduction to American letters of a brilliant, funny, antic voice-and a rebuke, in a form newly discovered, to the people James Baldwin once called our ‘morally bankrupt and desperately dishonest countrymen.’” (Keith Gessen, a founding editor of n+1 and the author of All the Sad Young Literary Men)“There were passages that made me burst out laughing, paragraphs that made me want to scream, and pages that made me want to take Brandon by the collar and simply shake him to his senses. Clever and powerful. Everybody interested in discovering how Millennials are living will find Making Rent in Bed-Stuy fascinating.” (Julianne Malveaux, economist and author of Are We Better Off? Race, Obama, and Public Policy Julianne Malveaux, economist and author of Are We Better Off? Race, Obama, and Public Policy Julianne Malveaux, economist and author of Are We Better Off? R)

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From the Back Cover

Fresh out of college, Brandon Harris needs an affordable place to live—a search that leads him to the neighborhood of Bedford-Stuyvesant. Making Rent in Bed-Stuy explores the history and cultural importance of Brooklyn’s largest historically black community as it illuminates the experiences of one young man at the dawn of an era in which urban class warfare is politely referred to as gentrification. Bookended by two different breakups, a roommate and a lover, both from the white American elite, the memoir interweaves Harris’s story with a serious look at some of Bed-Stuy’s most salient legacies. From the childhood of Jay-Z to the disappointing late career of Spike Lee, Making Rent in Bed-Stuy takes account of the famous heart of black Brooklyn’s cultural scene. Recounting Harris’s own encounters with figures as far-flung as Lena Dunham, doyenne of the Brooklyn zeitgeist who would never take the J train into Bed-Stuy to catch a house party, to Paul MacLeod, a gun-toting Mississippi man who makes a living charging $5 for a tour of his extensive Elvis collection—Making Rent in Bed-Stuy poignantly captures what happens when youthful idealism clashes head-on with adult reality.Blending in-depth reportage and personal narrative, Making Rent in Bed-Stuy investigates the disappointments and ironies of millennial life, revealing Harris’s radicalization and the things he lost, and gained, along the way.

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Product details

Paperback: 320 pages

Publisher: Amistad (June 6, 2017)

Language: English

ISBN-10: 0062415646

ISBN-13: 978-0062415646

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#608,359 in Books (See Top 100 in Books)

I bought this book expecting to take a walk down memory lane. I lived in Bed Stuy in the late 90's as it started to gentrify, and was fascinated by the slow ripples of change. After the first couple of chapters of this book, I was turned off. Why? For the following reasons:- The authors obsessive recounting of all of the white women that he has bedded.-His lack of perspective or self-reflection on why he was never able to relate socially to his black neighbors.- The uninteresting forays into the authors film career, or lack thereof.- His Afro American Studies 101-level discourses on Jay Z. Amateurish and yawn inducing.In all, this book is boring and shallow.

This is a slight hodge-podge of a book, mixing in the story of the author's struggles with apartments in the Bed-Stuy and surrounding areas of New York, along with his views on race in the movies, race relations in general, as well as portions of reviews he has written about people (e.g. Spike Lee) and movies. It jumps around a bit, and the tone changes from memoir to that of a reviewer. Oddly enough, he does not say much about his efforts to find a satisfactory job, which seems his real goal. That being said, his voice is honest, fresh and intelligent, and his story is interesting. I gained a new perspective on what it is like to be a minority member who is young, assertive, urbane and thoughtful, trying to make it in New York City.

I'd hate to be the guy that writes a review while only halfway done, but...The book holds some appeal to me as I grew up in Brooklyn not far from the addresses he lists. I've seen the incredible transition from crack era Brooklyn to hipster paradise. So I like the tidbits of Brooklyn history interspersed throughout. He does offer some meaningful reflections on race...,but I am struggling a bit to continue. First i find his language quite head-shakingly pretentious: "in my weaker moments, I felt a turn in the gut on many an ebony night that summer striding past the hopped-up Marcy boys..." secondly, maybe it's the Brooklyn in me, but I don't have much tolerance for bougie problems. An upper class kid from Ohio, goes to film school, moves in with an even wealthier friend in Brooklyn, and complains about how poor he is and what a struggle...until mommy sends him a few G's. Really? Let me know when you've spent a night on a bench in fort Greene park or slept on the G train.So between that and the mundane tales of his fledgling film career, I can't help but peek at my to-read pile and see what other options I have.

A highly entertaining and brilliantly insightful book, funny, candid, and quite original in form, a freewheeling mix of memoir, criticism, cultural history, and reporting. Harris is obsessed with teasing out the complexities of race and class in America, whether writing about his privileged upbringing in Cincinnati and his bohemian days as a black face among mostly white gentrifiers in Brooklyn, or riffing on the life and work of Spike Lee and Jay-Z, and his observations are unfailingly interesting. Cop it!

My copy arrived yesterday and I have been devouring pages. Harris peers around many corners of the human experience and while he doesn't always seem to like what he finds, his appreciation of its existence and respective analysis provide contemplation, often humor, always new thoughts, and certainly enjoyment for the reader.

Great insights into Brooklyn history, modern living in the borough, and tensions existing therein for an eloquent Brandon Harris. MRiBS is honest, informative, and endlessly entertaining. Highly recommended.

The author seems to have a very big chip on his shoulder which strongly taints his writing. Hard to take someone who is so racist and hypocritical seriously. Besides that, boring and self-indulgent. Do not recommend.

I expected this would be the recounting of a young, on-the-move man's life as he passed through different addresses in New York and worked his way into the New York scene. That would have been interesting. This book, however, and I gave several chapters a serious try, is ruined by the author's racism toward white people. Such racist crap seems to be the new "edgy" in some groups, and reading it is a bore.

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